Thank you.
From lacan.com
by Chris on Jan.12, 2012, under economics, philosophy, politics
How did Bill Gates become the richest man in America? His wealth has nothing to do with the production costs of what Microsoft is selling: i.e. it is not the result of his producing good software at lower prices than his competitors, or of ‘exploiting’ his workers more successfully (Microsoft pays its intellectual workers a relatively high salary). If that had been the case, Microsoft would have gone bankrupt long ago: people would have chosen free systems like Linux which are as good as or better than Microsoft products. Millions of people are still buying Microsoft software because Microsoft has imposed itself as an almost universal standard, practically monopolising the field, as one embodiment of what Marx called the ‘general intellect’, meaning collective knowledge in all its forms, from science to practical knowhow. Gates effectively privatised part of the general intellect and became rich by appropriating the rent that followed from that.
The possibility of the privatisation of the general intellect was something Marx never envisaged in his writings about capitalism (largely because he overlooked its social dimension). Yet this is at the core of today’s struggles over intellectual property: as the role of the general intellect – based on collective knowledge and social co-operation – has increased in post-industrial capitalism, so wealth accumulates out of all proportion to the labour expended in its production. The result is not, as Marx seems to have expected, the self-dissolution of capitalism, but the gradual transformation of the profit generated by the exploitation of labour into rent appropriated through the privatisation of knowledge.
The same goes for natural resources, the exploitation of which is one of the world’s main sources of rent. What follows is a permanent struggle over who gets the rent: citizens of the Third World or Western corporations. It’s ironic that in explaining the difference between labour (which in its use produces surplus value) and other commodities (which consume all their value in their use), Marx gives oil as an example of an ‘ordinary’ commodity. Any attempt now to link the rise and fall in the price of oil to the rise or fall in production costs or the price of exploited labour would be meaningless: production costs are negligible as a proportion of the price we pay for oil, a price which is really the rent the resource’s owners can command thanks to its limited supply.
A consequence of the rise in productivity brought about by the exponentially growing impact of collective knowledge is a change in the role of unemployment. It is the very success of capitalism (greater efficiencies, raised productivity etc) which produces unemployment, rendering more and more workers useless: what should be a blessing – less hard labour needed – becomes a curse. Or, to put it differently, the chance of being exploited in a long-term job is now experienced as a privilege. The world market, as Fredric Jameson has put it, is now ‘a space in which everyone has once been a productive labourer, and in which labour has everywhere begun to price itself out of the system’. In the ongoing process of capitalist globalisation, the category of the unemployed is no longer confined to Marx’s ‘reserve army of labour’; it also includes, as Jameson describes, ‘those massive populations around the world who have, as it were, “dropped out of history”, who have been deliberately excluded from the modernising projects of First World capitalism and written off as hopeless or terminal cases’: so-called failed states (DR Congo, Somalia), victims of famine or ecological disaster, trapped by pseudo-archaic ‘ethnic hatreds’, objects of philanthropy and NGOs or targets of the ‘war on terror’. The category of the unemployed has thus expanded to encompass vast ranges of people, from the temporarily unemployed, through to the no longer employable and permanently unemployed, to the inhabitants of ghettos and slums (all those often dismissed by Marx himself as ‘lumpen-proletarians’), and finally to the whole populations or states excluded from the global capitalist process, like the blank spaces on ancient maps.
Some say that this new form of capitalism provides new possibilities for emancipation. This at any rate is the thesis of Hardt and Negri’s Multitude, which tries to radicalise Marx, who held that if we just cut the head off capitalism we’d get socialism. Marx, as they see it, was historically constrained by the notion of centralised, automated and hierarchically organised mechanical industrial labour, with the result that he understood ‘general intellect’ as something rather like a central planning agency; it is only today, with the rise of ‘immaterial labour’, that a revolutionary reversal has become ‘objectively possible’. This immaterial labour extends between two poles: from intellectual labour (production of ideas, texts, programs etc) to affective labour (carried out by doctors, babysitters and flight attendants). Today, immaterial labour is ‘hegemonic’ in the sense in which Marx proclaimed that, in 19th-century capitalism, large industrial production was hegemonic: it imposes itself not through force of numbers but by playing the key, emblematic structural role. What emerges is a vast new domain called the ‘common’: shared knowledge and new forms of communication and co-operation. The products of immaterial production aren’t objects but new social or interpersonal relations; immaterial production is bio-political, the production of social life.
Hardt and Negri are here describing the process that the ideologists of today’s ‘postmodern’ capitalism celebrate as the passage from material to symbolic production, from centralist-hierarchical logic to the logic of self-organisation and multi-centred co-operation. The difference is that Hardt and Negri are effectively faithful to Marx: they are trying to prove that Marx was right, that the rise of the general intellect is in the long term incompatible with capitalism. The ideologists of postmodern capitalism are making exactly the opposite claim: Marxist theory (and practice), they argue, remains within the constraints of the hierarchical logic of centralised state control and so can’t cope with the social effects of the information revolution. There are good empirical reasons for this claim: what effectively ruined the Communist regimes was their inability to accommodate to the new social logic sustained by the information revolution: they tried to steer the revolution making it into yet another large-scale centralised state-planning project. The paradox is that what Hardt and Negri celebrate as the unique chance to overcome capitalism is celebrated by the ideologists of the information revolution as the rise of a new, ‘frictionless’ capitalism.
Hardt and Negri’s analysis has some weak points, which explain how capitalism has been able to survive what should have been (in classic Marxist terms) a new organisation of production that rendered it obsolete. They underestimate the extent to which today’s capitalism has successfully (in the short term at least) privatised the general intellect itself, as well as the extent to which, more than the bourgeoisie, workers themselves are becoming superfluous (with greater and greater numbers of them becoming not just temporarily unemployed but structurally unemployable).

If the old capitalism ideally involved an entrepreneur who invested (his own or borrowed) money into production that he organised and ran and then reaped the profit, a new ideal type is emerging today: no longer the entrepreneur who owns his company, but the expert manager (or a managerial board presided over by a CEO) who runs a company owned by banks (also run by managers who don’t own the bank) or dispersed investors. In this new ideal type of capitalism, the old bourgeoisie, rendered non-functional, is refunctionalised as salaried management: the new bourgeoisie gets wages, and even if they own part of their company, they earn stocks as part of their remuneration for their work (‘bonuses’ for their ‘success’).
This new bourgeoisie still appropriates surplus value, but in the (mystified) form of what has been called ‘surplus wage’: they are paid rather more than the proletarian ‘minimum wage’ (an often mythic point of reference whose only real example in today’s global economy is the wage of a sweatshop worker in China or Indonesia), and it is this distinction from common proletarians which determines their status. The bourgeoisie in the classic sense thus tends to disappear: capitalists reappear as a subset of salaried workers, as managers who are qualified to earn more by virtue of their competence (which is why pseudo-scientific ‘evaluation’ is crucial: it legitimises disparities in earnings). Far from being limited to managers, the category of workers earning a surplus wage extends to all sorts of experts, administrators, public servants, doctors, lawyers, journalists, intellectuals and artists. The surplus they get takes two forms: more money (for managers etc), but also less work and more free time (for – some – intellectuals, but also for state administrators etc).
The evaluative procedure that qualifies some workers to receive a surplus wage is an arbitrary mechanism of power and ideology, with no serious link to actual competence; the surplus wage exists not for economic but for political reasons: to maintain a ‘middle class’ for the purpose of social stability. The arbitrariness of social hierarchy is not a mistake, but the whole point, with the arbitrariness of evaluation playing an analogous role to the arbitrariness of market success. Violence threatens to explode not when there is too much contingency in the social space, but when one tries to eliminate contingency. In La Marque du sacré, Jean-Pierre Dupuy conceives hierarchy as one of the four procedures (‘dispositifs symboliques’) whose function is to make the relationship of superiority non-humiliating: hierarchy itself (an externally imposed order that allows me to experience my lower social status as independent of my inherent value); demystification (the ideological procedure that demonstrates that society is not a meritocracy but the product of objective social struggles, enabling me to avoid the painful conclusion that someone else’s superiority is the result of his merits and achievements); contingency (a similar mechanism, by which we come to understand that our position on the social scale depends on a natural and social lottery; the lucky ones are those born with the right genes in rich families); and complexity (uncontrollable forces have unpredictable consequences; for instance, the invisible hand of the market may lead to my failure and my neighbour’s success, even if I work much harder and am much more intelligent). Contrary to appearances, these mechanisms don’t contest or threaten hierarchy, but make it palatable, since ‘what triggers the turmoil of envy is the idea that the other deserves his good luck and not the opposite idea – which is the only one that can be openly expressed.’ Dupuy draws from this premise the conclusion that it is a great mistake to think that a reasonably just society which also perceives itself as just will thereby be free of all resentment: on the contrary, it is precisely in such a society that those who occupy inferior positions will find an outlet for their hurt pride in violent outbursts of resentment.

Connected to this is the impasse faced by today’s China: the ideal goal of Deng’s reforms was to introduce capitalism without a bourgeoisie (since they would be the new ruling class); now, however, China’s leaders are making the painful discovery that capitalism without a stable hierarchy (brought about by the existence of a bourgeoisie) generates permanent instability. So what path will China take? The former Communists, meanwhile, are emerging as the most efficient managers of capitalism because their historical enmity towards the bourgeoisie as a class perfectly fits the tendency of today’s capitalism to become a managerial capitalism without a bourgeoisie – in both cases, as Stalin put it long ago, ‘cadres decide everything.’ (An interesting difference between today’s China and Russia: in Russia, university teachers are ridiculously underpaid – they are de facto already part of the proletariat – while in China they are comfortably provided with a surplus wage as a means to guarantee their docility.)
The notion of surplus wage also throws new light on the ongoing ‘anti-capitalist’ protests. In times of crisis, the obvious candidates for ‘belt-tightening’ are the lower levels of the salaried bourgeoisie: political protest is their only recourse, if they are to avoid joining the proletariat. Although their protests are nominally directed at the brutal logic of the market, they are in effect protesting against the gradual erosion of their (politically) privileged economic place. Ayn Rand has a fantasy in Atlas Shrugged of striking ‘creative’ capitalists, a fantasy that finds its perverted realisation in today’s strikes, which are mostly strikes on the part of a ‘salaried bourgeoisie’ driven by fear of losing their privilege (their surplus over the minimum wage). These are not proletarian protests, but protests against the threat of being reduced to proletarians. Who dares strike today, when having a permanent job has itself become a privilege? Not low-paid workers in (what remains of) the textile industry etc, but those privileged workers with guaranteed jobs (teachers, public transport workers, police). This also accounts for the wave of student protests: their main motivation is arguably the fear that higher education will no longer guarantee them a surplus wage in later life.
At the same time it is clear that the huge revival of protests over the past year, from the Arab Spring to Western Europe, from Occupy Wall Street to China, from Spain to Greece, should not be dismissed as merely a revolt of the salaried bourgeoisie. Each case has to be taken on its own merits. The student protests against university reform in the UK were clearly different from August’s riots, which were a consumerist carnival of destruction, a true outburst of the excluded. One can argue that the uprisings in Egypt began in part as a revolt of the salaried bourgeoisie (educated young people protesting about their lack of prospects), but this was only one aspect of a larger protest against an oppressive regime. On the other hand, the protest hardly mobilised poor workers and peasants and the electoral victory of the Islamists is an indication of the narrow social base of the original secular protest. Greece is a special case: in the last decades, a new salaried bourgeoisie (especially in the over-extended state administration) was created thanks to EU financial help and loans, and the protests were motivated in large part by the threat of losing this privilege.
Meanwhile, the proletarianisation of the lower salaried bourgeoisie is accompanied at the opposite extreme by the irrationally high remuneration of top managers and bankers. This remuneration is economically irrational since, as investigations have demonstrated in the US, it tends to be inversely proportional to a company’s success. Rather than submit these trends to moralising criticism, we should read them as signs that the capitalist system itself is no longer able to find any level of self-regulated stability – it threatens, in other words, to run out of control.
See also: Postone, Marx and Capitalism.
From the LRB:
Slavoj Žižek · The Revolt of the Salaried Bourgeoisie · LRB 11 January 2012.
by Chris on Jan.09, 2012, under economics, philosophy, politics
Can we call the alternative communism? or is that now a terminally discredited word? One view here and another here.

by Chris on May.08, 2010, under culture, philosophy, politics
Valences of the Dialectic by Fredric Jameson
Verso, 625 pp, £29.99, October 2009, ISBN 978 1 85984 877 7
Fredric Jameson’s pre-eminence, over the last generation, among critics writing in English would be hard to dispute. Part of the tribute has been exacted by his majestic style, one distinctive feature of which is the way that the convoy of long sentences freighted and balanced with subordinate clauses will dock here and there to unload a pithy slogan. ‘Always historicise!’ is one of these, and Jameson has also insisted, under the banner of ‘One cannot not periodise,’ on the related necessity (as well as the semi-arbitrariness) of dividing history into periods. With that in mind, it’s tempting to propose a period, coincident with Jameson’s career as the main theorist of postmodernism, stretching from about 1983 (when Thatcher, having won a war, and Reagan, having survived a recession, consolidated their popularity) to 2008 (when the neoliberal programme launched by Reagan and Thatcher was set back by the worst economic crisis since the Depression). During this period of neoliberal ascendancy – an era of deregulation, financialisation, industrial decline, demoralisation of the working class, the collapse of Communism and so on – it often seemed easier to spot the contradictions of Marxism than the more famous contradictions of capitalism, and no figure seemed to embody more than Fredric Jameson the peculiar condition of an economic theory that had turned out to flourish above all as a mode of cultural analysis, a mass movement that had become the province of an academic ‘elite’, and an intellectual tradition that had arrived at some sort of culmination right at the point of apparent extinction.
Over the last quarter-century, Jameson has been at once the timeliest and most untimely of American critics and writers. Not only did he develop interests in film, science fiction, or the work of Walter Benjamin, say, earlier than most of his colleagues in the humanities, he was also a pioneer of that enlargement of literary criticism (Jameson received a PhD in French literature from Yale in 1959) into all-purpose theory which made the discussion of all these things in the same breath established academic practice. More than this, he succeeded better than anyone else at defining the term, ‘postmodernism’, that sought to catch the historical specificity of the present age.
This was a matter, first, of cataloguing postmodernism’s superficial textures: the erosion of the distinction between high and pop culture; the reign of stylistic pastiche and miscellany; the dominance of the visual image and corresponding eclipse of the written word; a new depthlessness – ‘surrealism without the unconscious’ – in the dream-like jumble of images; and the strange alliance of a pervasive cultural nostalgia (as in the costume drama or historical novel) with a cultural amnesia serving to fragment ‘time into a series of perpetual presents’. If all that now sounds familiar, this owes something to the durability of Jameson’s account of postmodernism, first delivered as a lecture in 1982 and expanded two years later into an essay for New Left Review: a 40-page sketch that caught the features of the fidgety sitter more accurately than many longer studies before and since.
via LRB · Benjamin Kunkel · Into the Big Tent.
by Chris on Mar.22, 2010, under philosophy
The first essay or introduction (it borders on both), “Three Names of the Dialectic,” is hard reading. Harder, I think, than Jameson usually is. Things get a much better in the two following chapters on Hegel, and the last chapter (or two) on Ricoeur is a masterpiece, over much quicker than you expected, like a good movie. That said, “Three Names” does excellently what many have tried and few have actually accomplished: a full-on characterization of what dialectic is about. This is, no doubt, why it is so tough, for Jameson is not concerned just with the Hegelian dialectic, but all of it–indeed, when he allows himself the luxury of just confining his analysis to just Hegel, things get more concrete (and that’s saying something, as you’ll soon see). Where Jameson particularly succeeds though is in showing, not how this diversity reduces to one particular thing we can clearly grasp–the dialectic, which is only the first name of the dialectic in this first chapter–but just how diverse this old thing really is. By spraying dialectic around, then sluicing it in certain directions–indeed showing us many dialectics (dialectic prefaced with the indefinite article is the second name) the whole thing seems much richer, more expansive, more exciting, than the old definitions we carried in our heads before picking up the book.
Read the rest at Working notes: Three names.
by Chris on Nov.30, 2009, under philosophy, politics
It seems to have become fashionable to quote Marx’s famous line from The Eighteenth Brumaire of Louis Napoleon: “Hegel remarks somewhere that all great world-historic facts and personages appear, so to speak, twice. He forgot to add: the first time as tragedy, the second time as farce.” Grazing on the Web I came upon others using these bons mots to refer to a political battle in Hungary over the legacy of 1956. Then there’s one comparing Obama’s Nobel to Carter’s. Lot’s of people like to crack wise about “the third time” with a frisson of clever self-congratulation. Some guy on the Democraticunderground.com, a blog, conjectures that what Marx meant by this is that things keep changing all the time.
Although many use this expression, no one seems to have bothered actually to have read The Eighteenth Brumaire. Marx was not merely coining bons mots, he actually meant something when he wrote this. The two events Marx was talking about were first, the French Revolution, which he took to extend from 1789 to 1814, and second, the French Revolution of 1848-1852, of which The Eighteenth Brumaire is a history.
Marx follows this famous line about tragedy and farce with one almost equally famous: “Men make their own history, but they do not make it as they please.” This also used to be quoted often, but now isn’t, I suspect because it makes some people uneasy to suggest that men make their own history. After all, if they get the idea that they can do something, they might decide to make something other than what the rulers have in mind. Marx is not treating history as a scientific phenomenon worthy of observation. Science is a discipline that postulates the impossibility of acting with a purpose. It expunges purposes from the pantheon of causes. Marx, a firm believer in human action, that is action with a purpose, is trying to explain its difficulties. People often take the farce line to mean that the first time, the tragic one, is serious, and the second, farcical one, is a kind of joke. But Marx is making the point that whenever people want to act they usually can only act in a pattern taken from the past. People act in a way that they know. Thus the first French Revolution took on the trappings of Rome to bring about the Bourgeois Revolution. Once the revolutionaries overthrew the ancien régime, the Roman garb came off and they settled down to moneymaking in a world free of the complicated obligations and ties of the ancien régime. The Revolution of 1848 imitated the Revolution of 1789 precisely because it was not a “real” revolution. For whereas the Revolution of 1789 threw off its Roman costume once it had accomplished itself in the abolition of the ancien régime, the Revolution of 1848 continued to imitate the earlier revolution because it had so little to accomplish: it was a farcical revolution. In the end it all vanished behind Louis Napoleon’s conjurer’s handkerchief.
Read more via Swans Commentary: The First Time As Tragedy, by Michael Doliner – mdolin48.
by Chris on Nov.12, 2009, under culture, history, philosophy, politics

The German philosopher Walter Benjamin had the curious notion that we could change the past. For most of us, the past is fixed while the future is open. Benjamin thought that the past could be transformed by what we do in the present. Not literally transformed, of course, since the one sure thing about the past is that it does not exist.
There is no way in which we can retrospectively erase the Treaty of Vienna or the Great Irish Famine. It is a peculiar feature of human actions that, once performed, they can never be recuperated. What is true of the past will always be true of it. Napoleon will be squat and Einstein shock-haired to the end of time. Nothing in the future can alter the fact that Benjamin himself, a devout Jew, committed suicide on the Franco-Spanish border in 1940 as he was about to be handed over to the Gestapo. Short of some literal resurrection, the countless generations of men and women who have toiled and suffered for the benefit of the minority – the story of human history to date, in fact – can never be recompensed for their wretched plight.
What Benjamin meant was that how we act in the present can change the meaning of the past. The past may not literally exist (any more than the future does), but it lives on in its consequences, which are a vital part of it. Benjamin also thought this about works of art. In his view, the meaning of a work of art is something that evolves over time. Great poems and novels are like slow-burning fuses. As they enter into new, unpredictable situations, they begin to release new meanings that the author himself could not have foreseen, any more than Goethe could have foreseen commercial television. For Benjamin, it is as though there are meanings secreted in works of art that only come to light in what one might call its future. Every great drama, sculpture or symphony, like every individual person, has a future that helps to define what it is, but which is beyond its power to determine.
More at:
New Statesman – Waking the dead.
by Chris on Sep.29, 2009, under philosophy, politics
Alain Badiou
Thank you.
From lacan.com
by Chris on Jul.15, 2009, under art, film, history, media, politics

It is always good to have a new Kluge, provided you know what lies in store for you. His latest film, News from Ideological Antiquity—some nine hours long—is divided into three parts: I. Marx and Eisenstein in the Same House; II. All Things are Bewitched People; III. Paradoxes of Exchange Society. [1]Capital, whereas in fact only Kluge’s first part deals with this tantalizing matter. The rumour has been spread by the same people who believe Eisenstein actually wrote a sketch for a film on Capital, whereas he only jotted down some twenty pages of notes over a half-year period. [2]Ulysses during much the same time and ‘planned’ a film on it, a fact that distorts their fantasies about the Capital project as well. Yet if Eisenstein’s notes for film projects all looked like this until some of them were turned into ‘real’—that is to say, fiction or narrative—films, it is only fair to warn viewers that Kluge’s ‘real’ films look more like Eisenstein’s notes. Rumour has it that Kluge has here filmed Eisenstein’s 1927–28 project for a film version of Marx’s And at least some of these people know that he was enthusiastic about Joyce’s
Many important intellectuals have—as it were, posthumously—endorsed Marxism: one thinks of Derrida’s Spectres of Marx and of Deleuze’s unrealized Grandeur de Marx, along with any number of more contemporary witnesses to the world crisis (‘we are all socialists now’, etc.). Is Kluge’s new film a recommitment of that kind? Is he still a Marxist? Was he ever one? And what would ‘being a Marxist’ mean today? The Anglo-American reader may even wonder how the Germans in general now relate to their great national classic, with rumours of hundreds of Capital reading groups springing up under the auspices of the student wing of the Linkspartei. Kluge says this in the accompanying printed matter: ‘The possibility of a European revolution seems to have vanished; and along with it the belief in a historical process that can be directly shaped by human consciousness’. [3] That Kluge believes in collective pedagogy, however, and in the reappropriation of negative learning processes by positive ones, in what one might call a reorientation of experience by way of a reconstruction of ‘feelings’ (a key or technical term for him): this is evident not only in his interpretive comments on his various films and stories, but also in such massive theoretical volumes as his Geschichte und Eigensinn—History and Obstinacy—written in collaboration with Oskar Negt.
New Left Review – Fredric Jameson: Marx and Montage.
by Chris on Jul.15, 2009, under philosophy, politics
Fast Tube by Casper">Zizek -on being a reolutionary today
Fast Tube by Casper">David Harvey on the same topic
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