Horner's Corner

Archive for June 17th, 2009

Mahler Grooves

by on Jun.17, 2009, under music

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The origin of “Mahler Grooves”

IMG_5952 Growing up in Washington DC, I rode a school bus every day past the intersection of Canal Road and Arizona Avenue, where a railroad bridge crosses overhead. For much of the nineteen-seventies, one of the bridge’s pillars was emblazoned with the legend MAHLER GROOVES, next to a painting of a French horn. The image fascinated me, well before I had heard a note of Mahler’s music: it was a cryptic message I yearned to decipher. I recounted this story in a 1995 New Yorker article, and received a lovely note from Dr. Stephen Chanock, of the National Cancer Institute, who corrected my account — I had remembered the slogan as “Mahler Lives” — and revealed that he and two other adolescent Mahlerites had executed the graffiti one summer day in 1972. Dr. Chanock was kind enough to enclose a MAHLER GROOVES bumper sticker, which I’ve treasured ever since; it’s on the wall of my office, on top of my Bob Dylan poster. The bumper stickers were manufactured by the Mahler Society of Los Angeles, which was long under the leadership of William Malloch. One of the stickers fell into the hands of Leonard Bernstein, who affixed it to the first page of his score of the Mahler Sixth. The score resides proudly in the archives of the New York Philharmonic. I have no idea where this “I’ve Got Mahleria” button came from, though.

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via Alex Ross: The Rest Is Noise.

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Maine

by on Jun.17, 2009, under photography

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Extraordinary scenes: Robert Fisk in Iran

by on Jun.17, 2009, under politics

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Extraordinary scenes: Robert Fisk in Iran

 

‘The authorities are losing control of what’s happening on the streets and that’s very dangerous and damaging to them’ (www.flickr.com: Shahram Sharif)

 

The long-standing Middle East correspondent for The Independent, Robert Fisk, is defying the government crackdown on foreign media reporting in Iran.

As he explains, he has been travelling around the streets of Tehran all day and most of the night and things are far from quiet:

I’ve just been witnessing a confrontation, in dusk and into the night, between about 15,000 supporters of Ahmadinejad – supposedly the president of Iran – who are desperate to down the supporters of Mr Mousavi, who thinks he should be the president of Iran.

There were about 10,000 Mousavi men and women on the streets, with approximately 500 Iranian special forces, trying to keep them apart.

It was interesting that the special forces – who normally take the side of Ahmadinejad’s Basij militia – were there with clubs and sticks in their camouflage trousers and their purity white shirts and on this occasion the Iranian military kept them away from Mousavi’s men and women.

In fact at one point, Mousavi’s supporters were shouting ‘thank you, thank you’ to the soldiers.

One woman went up to the special forces men, who normally are very brutal with Mr Mousavi’s supporters, and said ‘can you protect us from the Basij?’ He said ‘with God’s help’.

It was quite extraordinary because it looked as if the military authorities in Tehran have either taken a decision not to go on supporting the very brutal militia – which is always associated with the presidency here – or individual soldiers have made up their own mind that they’re tired of being associated with the kind of brutality that left seven dead yesterday – buried, by the way secretly by the police – and indeed the seven or eight students who were killed on the university campus 24 hours earlier.

Quite a lot of policeman are beginning to smile towards the demonstrators of Mr Mousavi, who are insisting there must be a new election because Mr Ahmadinejad wasn’t really elected. Quite an extraordinary scene.

More from:

Extraordinary scenes: Robert Fisk in Iran – ABC News (Australian Broadcasting Corporation).

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Hidden Lives

by on Jun.17, 2009, under literature, photography

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‘The growing good of the world is partly dependent on unhistorical acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.’

George Eliot (from Middlemarch)

photo: Mike Sinclair

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